Single Works
A TO A 1-32 Is a series exploring recurring events, and past events through my life recorded through pictures and symbols. The A TO A series came out of abundance from me, maybe it was pure boredom or a lack of motivation to do anything. This project became in a way spontaneous acts of meditation and fear with a little mix of hatred here and there. It became a way to explore and see new ideas in front of me, and capture those ideas through what I was feeling during the day. After this I could organize the usual set of four pieces I had made and post them online, which became a consistent flow for making these. For some reason when beginning this series I felt like I needed to post more on Twitter and I’m not sure why. Maybe it was the fear that if I stopped posting I would get less engagement than before, but I’m past that now and looking back it didn't really feel that way. To be honest I’m not really sure how this project got here, since it just seemed to start one day and then go through periods of pausing the project seemingly for no reason. Maybe that's how the project was meant to be, or maybe it was just me at the moment. These are fragmented moments of my most recent past, at least that's where I feel like this all went.Last updated: 6/26/2025
Nightmare projection feeds were created using a camera feedback loop through a desktop monitor. I wanted to express blurred visions of nightmares I have had in the past. These felt oddly nostalgic to me in a way and I knew that I had to make more. My camera stopped working after the fourth nightmare projection feed and that's when I stopped making them. I see visions of rotten physical spaces in these works, maybe you will too.Last updated: 5/5/2025
SUPER_LINE_LATTICE is a series of different works focused on an abstract visual representation of a transition period between life and somewhere else. I’m not sure where this other place was but it felt like that for a while, and I still feel that way. There was a symbol that kept appearing in my mind for years and that symbol was what I called an H fractal. Over time this symbol grew more important to my overall life but that wasn’t the focus when I was working on this series. I can’t remember what date it was but I had a dream that was maybe just 2 minutes before I woke up. I saw a world full of these things and the floor was a void that opened up to blue flames, or maybe it was fog I’m not really sure. After this dream I knew I had to make more and that’s where I started working on super line lattice.Last updated: 5/5/2025
Crystal structures, broken worlds, determination.Last updated: 5/5/2025
Selected Square works from 2024-2025 including prints.Last updated: 10/8/2025
Text_Feb_2025/SUPER SQUARE TEXT were abstract 3D renders for a cancelled game/visual project which is currently being reworked into something new.Last updated: 10/8/2025
Journey of 5 years is pictures from 2021-2025 connected together through my experiences during when the pictures were taken. The idea to create this was back in mid 2020.Last updated: 5/5/2025

I Am Unfree was made in response to a conversation I had with a friend, and other people online. Most people I talked to had said that art shouldn't be funny or humorous when confronting opposing topics or thoughts and images because it makes the art bad no matter what opinions people had. I ended up running with this idea for hours until the original purpose of the works had lost its meaning entirely, bringing new meaning to the works outside of its context. Looking back the original reason I made these doesn't make sense so should I be right? Should I be wrong? It doesn't matter now, I moved on and left these works behind.Last updated: 5/5/2025
Nothing to see here is an ongoing series of works exploring the relationship of AuDHD and randomization, specifically with seeing the whole picture. I want to push the limits of how random something could be without making a mistake, and still having balance throughout everything. Eventually the mistake became intentional and a central part of the work.Last updated: 5/5/2025
Dead Hate was made in response to continuous arguments heard on the news, and personal confrontations from others in my life. I was fed up with people arguing and saying things behind the backs of those who trusted them so much. The whole repeating cycle I would see throughout my life and into college became a new normal, and I wasn’t going to be a part of that. I started asking people if they remembered what arguments of hateful things they had said, and the only things they could remember were from the past. The year was spiraling downward and I had to remind myself that none of those things mattered, because people will forget it the next day. The random hate became dead to me and the people around me, so I put it on paper fully and framed it. This creation was the last of my energy through September and October 2024 before I felt like I had the energy to be my normal self again.Last updated: 5/5/2025





Artworks and images made/used during the website's development that reflect different important moments until the website was finished.Last updated: 5/5/2025
Works to represent theoretical fourth dimensional fractal spaces.Last updated: 5/5/2025
The downs collection is a series of works from early 2024 to 2025 focused on my past sexual assault which happened around 2015/2016, and recent life events. These works are my best attempt to recreate the blurry history of emotions and mental states I had been in as visual representations before 2024, and after 2024. I paused working on this series shortly after the discovery of my fathers brain cancer which put everything on hiatus for the whole year. After 2024 was over I started working on the series again, trying to piece together what was left from those months in the downs collection.Last updated: 10/8/2025
A list of current past archived physical work from 2022 to 2024.Last updated: 10/6/2025
2023
2024
Going Nowhere is a collection of five different sets of works from the 13th of October 2025 to the 14th of December 2025, representing a group of thoughts and ideas through the process of trying to create while caretaking, and the feeling of constantly losing.Against All Odds 10/13/2025 - 11/26/2025:
Against All Odds was made in pushing forward through the ongoing year and represents a more graphical simplistic approach to the same concept while keeping things complex. I was mostly experimenting with stencil and a more direct print on approach to art rather than painting directly on materials without guidelines or rules in place. This point of time was very limiting so I wanted to transform those same limitations into the work, pushing forward despite those limitations.
Fractured Visions 12/12/25 - Deconstruct Yourself 12/14/2025 & Panic mode:
Fractured Visions are the representation of feelings and different thoughts/dreams I had after Against All Odds was finished, and represents the start of what would become a set of different works before being grouped into Going Nowhere. Most of the work made during this time was in response to the feelings and visions I was having during the end of November into December when everything felt like it stopped working. A lot of what came out of Fractured Visions would have not happened if it wasn't for sleep deprivation, and I think that became a large influence into the work before Deconstruct yourself was made. After Deconstruct Yourself I started focusing on more personal influences into the work and how I was doing mentally during the month and time leading up to the last four prints made in this set of work. The prints made during this period are based on personal belief and several things going wrong during my creative process. Shortly after the last prints were made I shifted my focus to what I was feeling the most during this time which was panic, so a set of three prints named Panic mode 1-3 were made with the last bit of energy I had before feeling too tired to continue anything.
End Measure 12/14/2025:
Before the last prints were done I had previously worked on and finished a smaller set of five mixed media works on cardboard, reflecting on the process and feelings I had during the Fractured Visions prints and other prints. The idea of these works started to form around four months prior but I hadn’t had the time or purpose to finish them until the 14th when the works became finished. End Measure represents the negative outcome of the previous works and important moments in that thought process which didn't have a direct influence on the prints, but rather more of an influence on my mental state and creative process during the end.Last updated: 12/31/2025
Tortured is a work that represents the development of SQUARE as an identity and life long purpose changing and morphing over time. The print which originally started as a basic idea showcasing the SQUARE logo changing from top to bottom would later become the first major work showcasing time passing from 2015 to 2024. This time represented the identity of SQUARE changing into what it is now and how different events in my life influenced SQUARE as Tortured became completed on the 10th of October 2024. Tortured is the culmination of everything I have been working towards since its completion in terms of mental growth and self discovery of identity through abstract means, which I chose to represent through the final form of SQUARE. As Tortured was nearing completion SQUARE became less of a solidified way to express my work collectively and transformed into a new way of expression not just through me but through a system of fluid abstract identity that wasn’t dependent on humanoid characteristics, or anything that would deviate from me simply being myself.Last updated: 12/31/2025
The Liar is a painting on cold press paper framed and was finished on the 6th of November 2025. The Liar is a reflection of the mental process and act of lying for different purposes and outcomes, focusing on the effects of lying over extended periods of time. As someone who used to lie all the time and still lies as an artist I wanted to explore the concept of visually representing mental disillusionment and how much negative effects could be measured from lies about lies. The Liar, while mostly being that reflection, also visually represents how artists lie to cover up different details in work, and how that nature of creating can change or not change depending solely on internal factors rather than external factors. I chose to represent these internal factors in the work by covering up and painting over planned mistakes/actions, while ignoring the ripping paper or paint bleeding through different parts. Ultimately I had made a physical representation of a liar from my own perspective over time, but also as a visual representation of the concept of lying.Last updated: 12/31/2025
All The Way Down is a painting made in November and was finished on the 25th of November 2025. All The Way Down is a reflection of 2025 and shows a fragment of the process when going all the way down beyond breaking points. I wanted to express what it’s like to go all the way to the bottom mentally and physically, and I knew that nearing the end of November would be the best time to express that same feeling. All The Way Down represents the feeling of no hope when you have tried everything and nothing has worked for years.Last updated: 12/31/2025



